#RIP THIS IS SO LONG I'M SORRY

[in-asterism]

Arcobaleno from @trilies 's Sevenfold AU

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

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[north-noire]

🏳️‍🌈 + Henry!!!

I time-traveled all the way back to the past just to give the mug to him. He did not understand what the colors were on the mug but he found them cool, so that's a win? Based on that one photo meme of Caseoh carrying a mug with the trans flag on it lol. Happy Pride Month! Ask Game Link Here

[chipthekeeper]

ANDOR credits + concept art

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[tangents-within-tangents]

Thinking about the song "Ship in Port" by Radical Face and clones

Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones

Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.

The way Crosshair clings to his identity as a soldier of the Empire

And Echo as a soldier of the Republic

But Hunter puts his identity as a soldier behind him

Crosshair fights for the Empire to gain purpose

Echo fights against the Empire to save his brothers

And Hunter decides the Empire is too strong to even try to oppose

"A ship in port is a safer one"

"but it's not the reason it was made"

"So forgive me if I wander off"

"And forgive me more if I just stay"

Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies

(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)

[lyctorism]

going insane thinking about the paralleled relationships of palamedes’ fondness for harrow and camilla’s fondness of gideon. and their respective simularities! harrow being jealous of gideon mooning over dulcinea. camilla being jealous of palamedes being in love with dulcinea since he was 8. camilla being fond of gideon after realizing gideon also has a melodramatic necromancer. palamedes and harrow’s “necromantic pissing contest”. gideon and camilla’s love of swords. palamedes “I'm the greatest necromancer of my generation”, harrow “like hell you are”. palamedes suiciding detonating himself to take out cytherea. gideon suiciding throwing herself on spikes to send harrow full lyctor to take out cytherea. palamedes “i miss harrow terribly” sextus. harrow “i can’t envision a universe without you in it” nonagesimus, camilla “life is too short and love is too long” hect. gideon “you’ll know what to do” nav, palamedes “she knows what to do” sextus. crazy! crazy insane! thinking about them

[svtskneecaps]

lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.

save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[remnri]

xiao birthday yippee!

[heroesriseandfall]

Dick Grayson & Tim Drake: A Photograph

A photo of my family and you’re in it.

Comic sources:

Batman #441

Secret Origins #50

Batman #436

Batman #436

Batman #441

Batman #441

Secret Origins #50

Secret Origins 80-Page Giant #1, “Little Wing”

Secret Origins 80-Page Giant #1, “Little Wing” [edited]

Secret Origins 80-Page Giant #1, “Little Wing”

Secret Origins #50

Detective Comics #965

52 #31, “The Origin of Robin”

Batman #441 - Cover by George Pérez

Red Robin #12

Secret Origins 80-Page Giant #1, “Little Wing”

Batman #440

Image descriptions in alt text are also copied below read more.

1. Two comic panels from Batman #441 showing 13-year old Tim Drake sitting in a chair at Wayne Manor, with Dick Grayson in front of him and Alfred Pennyworth standing beyond that. They all have serious expressions on their faces. Tim says, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” Dick says, “Tim, just tell your story, please.” Tim reaches into his jacket as if to grab something and says, “All right, all right. Well, first, my name’s Tim Drake…and though you won’t remember it, we’ve met before. I’ve even got a photograph to prove it.”

2. Text from Secret Origins (1986) #50 that says: A woman with a small boy in the front of the grandstand waved to him. All three Graysons trotted to her. “This is Tim’s first time at the circus,” she said, patting the boy’s thin shoulder, “and we were wondering if you’d let us take your photo with him.” “Of course,” Mother replied, smiling. “We’d be delighted.”

3. Comic panels from Batman #436 showing John and Mary Grayson in their yellow, green, and red circus costumes as they walk through the circus with a young Dick Grayson between them. John says, “Dick, I’ve got those tickets for the baseball game monday.” Dick grins up at him and says, “You really got ‘em? Wow! I can’t believe I’m actually going to the World Series.” Someone off-panel says, “Umm, excuse us for interrupting, but—” The Drakes walk right up to the Graysons. Janet is in a pink day dress and Jack is in a suit, holding a very young Tim Drake in his arms. Janet says, “This is Tim’s first time at a circus, and we were wondering if you’d let us take your photo with him?” Mary Grayson puts her hands on Dick’s shoulders as Dick grins up at little Tim, who smiles down at him in response. Mary says, “Of course…we’d be delighted.” They all pose for a picture with the crowds behind them. Jack and Janet stand between John and Mary, while Dick kneels in the front holding young Tim up on his knee. He looks down at Tim, who looks back, and with a smile, Dick says, “Tim, say cheese.”

4. A comic panel from Batman #436 showing Alfred Pennyworth’s hands holding out and gesturing towards a photo as he says, “Gentlemen, and ladies—the very last photo of the Grayson family together. One last moment of happiness.” The photo shows the Grayson and Drake families together in the same poses as the previous image. John and Mary Grayson stand on either side of Jack and Janet Drake, while Dick kneels on one knee with his other knee up, where he is holding young Tim to sit on the knee. The parents are looking forewards, but Dick and Tim are looking at each other. The Graysons are all in their circus costumes, but the Drakes are in suits and Janet a dress.

5. A comic page from Batman #441. The first panel shows Tim Drake, who is sitting in a chair at Wayne Manor and holding up a photo of the Drakes with the Flying Graysons while Dick Grayson is standing in front of Tim’s chair. Tim says, “This was taken on my first trip to the circus—on the day I saw Batman for the first time...On the day your parents were killed.” Dick Grayson looks shocked, and takes the photo as he says, “Oh, my god—my parents.” Alfred Pennyworth, standing behind Dick, says, “I—I know this photograph, that’s you?” Tim looks up at them and says, “Uh-huh. After Bruce Wayne made you his ward, my parents sent it to you. They thought you’d want it. I was only a kid, but I don’t think I’ll ever forget what happened. I had nightmares about it for years. First about your parents, then about Batman. I kept seeing this dark black thing that swooped out of the sky. No, no—let me start at the beginning.” The scene changes to a gold-toned memory of the Drakes walking through Haly’s Circus. Janet is in a light dress, holding Jack’s arm as they grin at each other. Jack is in a suit, holding a young Tim who is also in a suit and has a big smile on his face as he reaches towards a passing Clown. Janet says, “I think you were right, honey—he loves it. Look at him laughing at everything.” Jack replies, “Hey, I said he wasn’t too young.” Janet says, “Okay, I was wrong. But sometimes circuses can frighten kids.” The Drakes walk through the circus, toward where you can see the Flying Graysons walking together. Janet continues, “They’re loud and rowdy, and I remember when I was Timothy’s age I was scared by people wearing costumes. Sue me. I'm a mother. I worry.” Jack says, “You were a girl. Tim’s a boy. That’s the difference.” Janet smiles up at Jack and says, “Sexism, dear? And here I thought you were liberated.” Jack follows Tim’s eyesight toward the smiling Flying Graysons as they walk past, then says, “Okay, okay, I’m sorry. Look, if you’re so worried, there’re a couple of the performers. Let’s take him over there. He’ll see they’re people just like him.”

6. A comic page from Batman #441 showing a gold-toned memory scene with the Flying Graysons, all in acrobatics costumes remniscent of the Robin suit, and the Drakes, who are wearing formal dress. Mary and John are smiling at Dick walking between them as Dick excitedly says, “—I’m actually going to the world series?” Beyond him, Janet and Jack Drake are walking up to them, with Jack holding a very young smiling Tim in his arms. Jack says, “Umm, excuse us for interrupting, but this is Tim’s first time at the circus…and we were wondering if you’d let us take your photo with him?” The two families pose, with Dick on one knee with Tim Drake sitting on his other knee, held up by Dick’s arms. Tim stares at Dick in wonder as Dick smiles at him and says, “Tim, say cheese.” 13-year-old Tim speaks through a narration box to say, “Maybe I knew you were just a kid like me, but I kept staring at you, and your circus costume. It was bright red and green and you seemed so happy in it.” In the memory, Dick pats Tim’s head as he gets ready to leave, and says, “Watch me on the trapeze, Tim. I’m going to do my act—‘specially for you. Be good now.” Then the scene returns to the present, in regular color, showing 13-year-old Tim sitting in Wayne Manor while Alfred and Dick look at him. Tim says, “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”

7. Text from Secret Origins #50 that says: The photo was snapped and the Graysons returned to the darkness of the backstage area and did the stretching exercises Johnny Grayson insisted precede every performance. On the other side of the canvas wall, the crowd was laughing and applauding the clowns’ fireman routine. They heard the ringmaster’s round baritone, amplified and distorted by the loud speakers, booming through the tent. “Ladies and gentlemen, children of all ages—for your entertainment and amusement, doing their death-defying act without benefit of a net—” Johnny kissed his wife and ruffled his son’s hair.

8. A comic panel from Secret Origins 80-Page Giant #1, the fourth story, showing Tim Drake and Dick Grayson sitting on a couch in Dick Grayson’s apartment. Tim is on the left wearing a pink and purple Gotham Knights jersey with a matching hat. He’s pointing at Dick, who’s turned to listen attentively to Tim while wearing a white tank top and gray sweats as he clicks a TV remote. Tim says, “Dick, meeting you—and him—have been the single most defining moments of my life.” The scene changes to the memory of the Drakes and the Flying Graysons posing together in Haly’s Circus while someone who is just a silhouette takes a photo of them. John and Mary are standing on either side of Jack and Janet with wide smiles, each in their red, yellow, and green acrobatics outfits. John’s and Dick’s outfits look particularly remniscent of the Robin outfit. Dick is kneeled in front of the parents with one knee up where young Tim is sitting on his thigh, smiling and looking at Dick. 14-year-old Tim narrates this memory by saying, “Some days I wish I could go back to feeling like that. You promised me that you’d do a quadruple somersault. And you delivered. It was the best day of my life. And then your parents died.”

9. An edited comic panel from Secret Origins 80-Page Giant #1 of very young Tim Drake with his father’s arm on his shoulder, both looking up at John and Mary Grayson falling. John and Mary are in their red, yellow, and green acrobatics costumes, knees bent and arms stretched with one part of hands barely touching. Behind them, their acrobatic lines are snapping. Crowds in the large tent are yelling and pointing up at them. Tim’s face is not visible but he’s clearly watching them fall.

10. A comic panel from Secret Origins 80-Page Giant #1 of nine-year-old Tim Drake staring at a TV screen, on which Robin is visible mid-flip, arms holding his legs tucked in. The Penguin is croached with his back turned to Robin, directly in position for Robin to land on him. Audio from the TV is saying, “Wanted for theft of the Lapis Lazuli Horus Crown, the so-called Penguin was apprehended by the Batman and a young costumed vigilante…” 13-year-old Tim narrates the memory of his younger self, saying: “You gave yourself away with the quad. The ringmaster told the crowd at Haly’s that only three people alive could pull off a jump like that—you and a pair of Russian gymnasts that defected from the Bolshoi to Ringing Brothers. I knew it was you.” Off-panel, Dick Grayson responds to Tim’s recollection by saying, ”Incredible. A nine-year-old kid figures out the best-kept secret on the planet.” In the memory, just beyond young Tim in the background are Jack and Janet Drake at a table, with Jack looking like he’s speaking angrily.

11. Text from Secret Origins #50 that says: Below, the ringmaster was saying, “Ladies and gentlemen, quiet, please, as young Dick Grayson attempts the in-credible…im-possible…quadruple flip of doom!” Dick breathed deeply and slowly, relaxing himself as Johnny had taught him, grabbed the bar, pushed off the platform, letting momentum carry him— But was something wrong? The trapeze didn’t feel right. —and allowed his mind to empty, and there were the few dizzy, exhilarating instants: spin spin spin spin. Feet thudding onto the platform. Roar of applause. Mother’s warm fingers touching his cheek. Ringmaster’s boom: “Let’s hear it, ladies and gentlemen—dauntless Dick Grayson, the boy wonder of the circus!”

12. A comic page from Detective Comics #965 showing a warm-toned scene of 13-year-old Tim Drake talking to a gobsmacked Dick Grayson in Wayne Manor. Tim says, “C’mon, Dick—that flip you did as Robin. It was a quadruple somersault. The circus ringmaster said only three people could do that.” Tim holds up a photo of the Drakes with the Flying Graysons, and continues, “I knew that somersault. Knew it like I knew my own name.” Tim smiles and says, “And it all made sense. Batman showed up at the circus and took you with him. About six months later, Robin made his first appearance. If you were Robin, and you were Bruce Wayne’s ward—I realized Bruce Wayne was batman.” The scene zooms out to show Tim sitting in a chair as Dick and Alfred Pennyworth stare at him. Tim says, “I don’t want to say the rest was easy, because you guys really covered your tracks. But if you go in knowing Bruce Wayne and Dick Grayson are Batman and Robin, well, you can find the clues to prove it.”

13. Comic panels from 52 #31, 2nd story, “The Origin of Robin.” 9-year-old Tim Drake is shown from the back, sitting on the floor staring at a TV screen that shows Dick Grayson as Robin, flipping through the air. Tim’s face is reflected in the TV screen, showing his awestruck smile. Various objects are scattered on the floor in front of Tim, including pizza, books, and a magnifying glass. Orange narration boxes say, “The eyes of a fan caught a moment the rest of the world had overlooked. Tim Drake—and Tim Drake alone—had grown up fascinated by the career of an obscure and forgotten child acrobat named Dick Grayson—but when Tim saw Batman’s partner Robin perform Grayson’s signature gymnastic moves, something clicked in Tim’s mind.” The next panel shows Tim in a trenchcoat, expression awestruck as he shines a flashlight through a glass case in which a pristine Robin costume is hanging. The narration boxes continue, “Over the next few years, Tim—through a series of clues and lucky breaks—proved conclusively that Grayson was Robin…or, rather, had been.”

14. George Pérez’s cover art for Batman #441, cropped to focus on the lower half. Dick Grayson, in civilian clothing, is standing in the forefront of the image, with the 80’s Batcave looming around him. He’s looking down with a pensive expression at the Robin costume held in his hands. Behind to the right, Tim Drake (also in civilian clothing) is standing with photographs falling out of his hands in front of Dick’s shoes. The closest photo shows the Flying Graysons posing with the Drake family. The next closest two photos are of Robin and Batman. Beyond Dick and the photos, to the left, is Alfred Pennyworth. Up at the top, partially cropped away, are Batman and Two Face’s lower faces, with a scene of a bridge by Batman’s face and a flipping coin with a scene of Gemini casinio behind it right next to Two Face’s face. In the Batcave, the giant penny, the T-rex, and the massive batcomputer are all on prominent display.

15. Comic panels from Red Robin #12 of Dick Grayson talking to Tim Drake with a blurry aquamarine Batcave behind them. Dick is wearing the chestplate of the Batman suit but no cowl, as he looks intensely (with the slightest smile) toward Tim, who is shirtless, revealing long pink scratches and scars along his shoulder and cheek. Tim, looking up at Dick, says, “Ra’s—” Dick says, “Gone. We swept the place and got nothing. You want to tell me what that was all about?” Tim replies, “It’s...a little complicated. But I think we’re good for a while.” Dick says, “How’d you know? How did you know I’d be there to save you?” Tim smiles up at Dick as he says, “You’re my brother, Dick. You’ll always be there for me.”

16. A comic panel from Secret Origins 80-Page Giant #1 showing Tim drake and Dick Grayson sitting on the couch in Dick’s apartment. Dick is reaching over to mess with Tim’s hair as Tim laughs and leans away, raising his hands to jokingly defend against Dick. Behind them in the apartment is a desk with a computer whose screen is lit up with a woman’s sketchy face. Dick says, “Got a friend visiting.” Barbara Gordon, over Dick’s computer audio, asks, “Anyone I know?” Dick says, “Little brother.”

17. Cropped art from Batman #440 of a cool-toned photograph with the Flying Graysons and the Drake family posing together. The Flying Graysons are all in their acrobatics outfits. John and Dick Grayson’s outfits are styled similarly, looking like a mix of the original Robin suit and Tim Drake’s first Robin suit. John and Mary are stood to either side of the smiling Jack and Janet Drake. Jack is in a suit and his hands are resting on Janet’s arms. Janet is wearing a day dress. In front of all the parents, Dick Grayson is down on one knee, with his left knee up so little Tim Drake can be perched on his thigh. Tim is in a a suit, similar to his father, and he’s looking up at Dick with a broad, awestruck smile. Dick is holding Tim in place with his arms, and instead of looking toward the camera like the parents are, he’s meeting Tim’s eyes with a smile. Behind them all, the crowds of Haly’s Circus are vaguely visible. In the corner by Dick’s right left, 13-year-old Tim Drake’s thumb is resting on the photograph, as if he’s holding it.

[stevens-pastrami-sandwich]

HAPPY 17TH ANNIVERSARY TO THE SHOW THAT CHANGED MY LIFE!! 🎉🥳🎂

So maybe I'm a bit late to the party.. but that's not important 🤫🫶

[crystaleclipse10]

idk if this has been done already but here's a bracket of the known battles in the Tournament of the Sources

Some names are just elements or "cragling" cause we have no idea who they are lol

did neuro just like...show up late or smth

hope this helps :D

thank you ninjago wiki for saving so much time figuring out all the fight

[pushing500]

Okay, I feel like such an idiot because I accidentally deleted the ask haven't cried about it yet though so that's a win, but someone asked me if I thought Mechi and Kwahu's long hair, coffee-fueled all-nighters, and work surrounding complex machinery would ever result in disasters or terrible, embarrassing haircuts.

The answer is yes! I think these two dumbasses get their hair caught in everything all the time, but they're too proud to cut it, so they just take the machines apart and then painstakingly put them back together again every time there's an accident.

For your viewing pleasure, other places where Mechi's utter disregard for shop safety and OSHA regulations is discussed: here and here

[dsofi427]

Lmao I'm pretty sure they killed Gideon just to make Reid suffer 💀💀💀

[the--highlanders]

I would be interested in hearing about how Jamie influenced the Doctor's moral code

I do want to preface this by saying that one's companions absolutely play a massive role in influencing the doctor's development and morality. barbara probably more than anyone. one as we first meet him in an unearthly child is not the same as one in the tenth planet, or two going forward. he's already come a long way by that point.

that being said, two in power of the daleks and the highlanders is. honestly a lot more morally grey than he is later in his run, or compared to later incarnations. he does very little to reassure ben and polly post-regeneration, picks up the examiner's badge with not a lot of outward concern for the man who's just died, runs around in the highlanders antagonising the people he doesn't like without ever actually specifying whose side he's on. he bashes perkins' head into a table until he admits he has a headache. there's a real sense that he's doing everything he does less because he wants to do the right thing, and more because it's entertaining to him. his sense of right and wrong is far more secondary than it will be in the future.

some of his development is driven by himself, and likely by his other companions - 'there are some corners of the universe which have bred the most terrible things' comes before he's had much of a chance to get to know jamie, let alone have jamie's sense of morality rub off on him. but as the doctor (and the audience) get to know jamie, his moral code starts looking an awful lot like the one the doctor will come to adopt

the first thing about jamie is that while he meets the doctor in the aftermath of a war, while the first time we see him he's holding a knife to two's throat - he's not a soldier. he's a musician. he's spent nearly a year as (more or less) a non-combatant marching with an army. and that shows in the way he acts, because while physically he's a capable fighter, and happy to show that when he needs to, he is fundamentally not a killer. he'll destroy robots, but he won't kill humans or humanoid aliens. he duels with trask, but knocks him off the ship rather than finishing him off. he refuses to fight the gond with a weapon. even when it's to his detriment or puts other people in danger, like him being initially unable to shoot the zombie in the age of ambition.

maybe most tellingly, in the novelisation of the abominable snowmen, he's the one to step in and stop the monks from killing the abbot. he steps in front of the abbot, 'ignoring the weapon' pointed at him, and gets the monks to stand down by telling them 'we've had enough killing'. which is something it's very easy to imagine the doctor doing.

he also ends up being the one to push the doctor into investigating, like in enemy of the world, or putting his foot down and insisting they should do the right thing, like in evil of the daleks where rescues victoria even when two tells him not to. in fact, it's predictable enough that he will do this that two hinges the start of the human factor experiment on the fact that he can tell jamie not to do the right thing and help a complete stranger, and jamie will defy him and do it anyway. more than that, two's whole sub-plan to create 'good' daleks depends on his belief that jamie embodies the best of humanity. at the beginning of series 5, he's already recognised jamie's moral code as something that defines him and that can be depended on.

so jamie is someone who prefers to avoid (lethal) force if he can, and who will stick his neck out to help people when he doesn't have to or when even people he cares deeply for say he shouldn't. which isn't particularly true of two at the beginning of his run, but which starts to become true from s5 onwards, and which later incarnations will cleave to.

but the really telling thing is - we very rarely see jamie truly, properly hate someone. he butts heads with villains (vaughn in the invasion, for instance), and disapproves of people who don't live up to his standards or expectations (william wallace in on a pedestal being childish, irresponsible, and careless with other people; two in evil of the daleks for, again, being careless with other people and appearing to side with the daleks). but there's really only two times on-screen where he can't stand someone. one of these is evans in the web of fear, who really just wants to escape and save himself, rather than help everyone else. he's a coward, and jamie calls him out on it with disgust. but most of all, he hates bennik in enemy of the world. the interrogation scene is probably the angriest we ever see him. he hates bennik's callousness, actively threatens him, and says - interestingly - that he 'must have been a nasty little boy'. he's seething through that whole scene.

so the two characteristics that jamie seems to find completely unbearable are - cowardice, and cruelty. and those are the two major tenets of the 'oath' that goes along with the doctor's identity and mission. 'never be cruel, and never be cowardly'.

he's not solely responsible for the person the doctor becomes and the way they end up approaching the universe - those wheels were set in motion long before he arrived, and the doctor themselves provides a lot of the impetus. but it's interesting that jamie arrives just after the doctor's first regeneration, at a time where he seems to be searching for who he is and who he will be - and there's jamie to set a standard, and hold two to it.